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Type Design & Typography

20B-10.tif
22B-37d_T26 SAN Promotion_Carlos Segura
22B-27b_Hot Chi Visual Identity_Nick Adam/Avery Branen
23B-16c_You Create Tomorrow posters_David Sieren
24B-45a_EGG! Identity_Sean Fermoyle
22B-29a_Alex Ross Stationery_Carlos Segura
White cursive text on a textured black background with a white silhouette of a bunny head in the bottom right corner.
18I-30_N is for Carol Naughton_ Sharon Oiga
22B-36b_Britten Promotion_Carlos Segura
21B-03C_University of Illinois School of Art + Design 2020 MFA Program Identity_JP Ramirez/Andrew Reaume
18I-28_Z is for Franz Altschuler_Adé Hogue
20B-21_150 Media Stream Brand Identity_Daniel McManus/Sofya Karash
20A-21_Standard Studios Business Promotions_Gustav Rehberger
18I-12_@ is for Social_Cody Hudson
23B-12a_The Affordances of Scripting Typography_Pedro Neves
21B-05C_Poetry Foundation: Poetry Magazine Cover_Nick Adam
22B-16c_Slow & Low at Navy Pier_Nick Adam/Avery Branen
21B-05A_Poetry Foundation: Poetry Magazine Cover_Nick Adam
24B-42d_PT Supplement_Sean Fermoyle
20B-53.tif
22B-15b_Taste of Chicago Branding_Nick Adam
23A-06b_Word Paintings_Judith Mayer
23B-05c_Regional Transportation Authority Rebranding_John Pobojewski/Valeria Bernal
21B-05A_Poetry Foundation: Poetry Magazine Cover_Nick Adam
22B-19b_Alex Ross at ComicCon47_Carlos Segura
19A-187_Goudy Old Style typeface design_Frederic W. Goudy
22B-01.tif
18I-05_B is for Bobbye Cochran_ Tanner Woodford
18I-09_Y is for You Are Beautiful_Matthew Hoffman
22B-38c_Classic Color Branding_Carlos Segura
123
23B-01a_Labyrinth typeface_Nada Abourashed/Sharon Oiga
18I-19_G is for Morton & Mille Goldscholl_Rick Valicenti
22B-34b_STA100 Show Branding_Carlos Segura
24B-42b_PT Supplement_Sean Fermoyle
22B-23b_WaxTrax “Blackbox” project_Carlos Segura
24B-42a_PT Supplement_Sean Fermoyle
22B-36a_Britten Promotion_Carlos Segura
18I-22_U is for Unimark International_Renata Graw
23B-02b_Let Parents Stay (Han Embroidery Typeface)_Yu Chen
22B-13a_The Silver Room Campaign_Nick Adam
22B-08_Women Owned Brand image_Jack Muldowney/Kasia Patel
22B-33b_The Schweikher House_Carlos Segura
22A-49a_Big Shoulders Specimen Book_Patric King/Jason Kunesh
23B-16a_You Create Tomorrow posters_David Sieren
23B-02c_Let Parents Stay (Han Embroidery Typeface)_Yu Chen
20A-15_Pentothal by Abbott Labs Magazine Ad_Gustav Rehberger
18I-14_F is for Frederic & Bertha Goudy_Kira Crugnale
22B-16b_Slow & Low at Navy Pier_Nick Adam/Avery Branen
18I-11_D is for Ray DaBoll_Alicia Marques
18I-04_# is for Trends_Nick Adam
07A-66_Typeface_Sharon Oiga
24B-42c_PT Supplement_Sean Fermoyle
20B-20_150 Media Stream Brand Identity_Daniel McManus/Sofya Karash
20B-23_Bagatelle Movie Poster_Daniel McManus/Sofya Karash/Igor Karash
18I-01_L is for László Moholy-Nagy_Eileen Tjan
22B-29b_Alex Ross Stationery_Carlos Segura
22B-37c_T26 SAN Promotion_Carlos Segura
22B-27a_Hot Chi Visual Identity_Nick Adam/Avery Branen
22B-06a_Word Play_Judith Mayer
22A-49c_Big Shoulders Specimen Book_Patric King/Jason Kunesh
18I-25_M is for John Massey_David Csicsko
22B-34c_STA100 Show Branding_Carlos Segura
23B-14b_ReFramed: The Future of Cities in Wood Exhibition Design_	Bud Rodecker/Alyssa Arnesen/Marisa Cruz
22B-33c_The Schweikher House_Carlos Segura
22B-09a_Wingspan Type design_Raven Mo
23B-01b_Labyrinth typeface_Nada Abourashed/Sharon Oiga
22B-09c_Wingspan Type_Raven Mo
22B-06c_Word Play_Judith Mayer
23B-01c_Labyrinth typeface_Nada Abourashed/Sharon Oiga
23B-12c_The Affordances of Scripting Typography_Pedro Neves
22B-02.tif
22B-04_"What does Chicago mean to you?" posters_Sean Fermoyle
23B-05d_Regional Transportation Authority Rebranding_John Pobojewski/Valeria Bernal
22B-17a_Copi: Rebranding an Invasive Fish as a Healthy Seafood Option_Nick Adam/Bud Rodecker/Avery Branen/Valeria Bernal/Leah Wendzinski/Suzie Shin/Darcy Nathanson
18I-13_R is for Robert Vogele_Dana Arnett
22B-34a_STA100 Show Branding_Carlos Segura
23B-14c_ReFramed: The Future of Cities in Wood Exhibition Design_	Bud Rodecker/Alyssa Arnesen/Marisa Cruz
22B-09b-Wingspan Type detail_Raven Mo

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